Psychos Aims Revenge Drama, Thriller Delivers Neither
Psychos Film Details
Director: Sandy Chukhadarian
Writer: Sandy Chukhadarian, Angel Jimenez Jr.
Release Date: March 17th, 2017
Release Format: Video on Demand
Genre: Crime, Drama, Horror
Running Time: 1h 22min
Three young women seek revenge against a sadistic predator.
Revenge films are a brutal addition to Horror cinema. The art form was once dominant in U.S. film markets during the seventies. A shift in political correctness placed this visual works on the verge of extinction.
Yet, the French Horror market redefined the revenge sub-genre. Dubbed New French Extremity or French Extremism these films depicted raw brutality. The conflicts to these film shift between the tables between victim and aggressor. Grittiness, goal, and outcome are some of the driving elements to revenge films.
Women are the protagonist in revenge themed horror films. Therein lies a strong social commentary centered on feminism. Of course, these films don’t come without controversy. violence against women.
Sandy Chukhadarian and Angel Jimenez Jr created a storyline centered on revenge. In Psychos, three women serve as the victims turned vigilantes. Does Chukhadarian and Jimenez Jr’s film stand as an adequate candidate in the revenge sub-genre?
The editing was one of the defining qualities of the film. Psychos had a sequence of events projected with good ebb and flow. The cinematography also deserves recognition. Chukhadarian captured the scenes with creative prose.
The pitch for Psychos has potential. The story of three women embarking on an act of revenge seems thrilling. Yet, the narrative as it translated on-screen lacked all sense of direction. For Psychos, the approach falls short as an engaging, nail biting visual experience. The problem begins with the set-up of the conflict. This area of the story failed to come across as unconvincing.
After the introduction in Act I Psychos fell apart with the continuing Acts. Although there was action infused in some scenes it didn’t carry any impact. The chemistry between the viewer and the medium becomes lost within the first Act.
Another problematic area to this production lies with having one-dimensional characters. Neither the set of protagonists or antagonists connects with audiences. There doesn’t seem to be a basis to grant sympathy with the three main characters. Likewise, the villains have nothing that conjures fear. With the latter, the lack of a suitable dogma leaves the antagonists as empty shells.
The portrayals offered to each role were lax. There is an absence of unique qualities that if executed would have made each character come alive. To elaborate, the acting felt underdeveloped and treks on B-movie territory.
Psychos use the “based on true events” ploy to entice viewers. With many random acts of violence intoday’s society this can hold to any given situation.
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